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Why I hate the corporate music industry
A loving and helpful article for all my good friends at the record companies as well as the government internet media regulation commitees et cetera.

The world is full of whiny, still-progressing-into-adulthood-teenagers. This is the first thing you should pull from my essay if not anything else. Now on with it.
I am pissed, that is for sure. Sitting down to a rousing evening of fruit snacks, dr. pepper, online conversation, programming, and my music. After so many rounds of repeating my music, I chose the interesting and always fresh route of internet radio. "Secret Agent Radio: The only soundtrack for Spys and PIs alike." Delightful, delectable, mood music for around 11:44 at night. To my dismay, when clicking the station, no signal appeared. For better or for worse, it turned out my internet connection was runinng. I checked their site, somafm.com, and the following caught my eye:

"Killed by the RIAA. June 20, 2002.

With CARP royalties of $500 a DAY, SomaFM cannot continue broadcasting.

Yes, you read right. $15,000 a month, $180,000 a year (well, based on last month extrapolated over the next 12 months, we would have to pay $176,541 in RIAA royalties. "

Damn. That sucks, no radio tonight. Further examining the site, I visited Saveinternetradio.org which was basically their banner, anti government regulation of internet radio site. This really pissed me off. Although it's not the first time.
Want to hear something disgusting to me? The thought of 15 different music companies fighting over royalties, touting their own proprietary sites, and buying up every copyright of any decent recording artist known to man. Ok, now to something more refreshing. I beleive I would/'ve be a good candidate for mp3.com or napster. This is why. Unfortunately because of some moral prejudice inside me, whenever I download a certain amount of mp3's from anyone artist or album, I go and buy the cd. So yes in fact, I use the file sharing services/radio to find out that, in fact, yes I really don't like Eminem's album, and that through the internet radio, Congo Natty an otherwise unknown to record labels drum and bass artist is great. I want to now buy his album, and don't want to buy Eminem's.
OH MY, REVELATION, suddenly things are clearer. The record labels make money off of advertising big artists like Eminem, and they could care less if you like him or not so long as you buy the album. Could this be the reason why they choose to advertise him, but not advocate trying his music? I'm not meaning to suggest anything of course, and if you are reading this and are a high up administrative official of the Recording Industry Artist Association, of course I don't actually beleive what I'm saying...

Let me bold the following, so if you skipped over the above because it had too many words at too small a size, you will read this:
First thing is first. Royalties for free radio stations, especially ones that play hard to find materials and unknown artists are absurd. Cut the beuraucracy.
Second, by trying to try proprietary services, and not advocating other public file sharing methods, the RIAA is only delaying the inevitable, free music. They could be snatching the opportunity to provide features, etc that wouldn't be available on free mp3's that would lure customers towards this.